when u find out your goat still has it ❤️

 I got the band back together

I am not washed

I am goated

Like I said, my first CCR is a continuation of a podcast series I started with my friend Gus. 

Say "hi gus"

To record audio, we both used holly land mics we had. Because we recorded in separate locations (we're on Spring Break) I had to touch up his audio in Adobe Audition, but that's a later story. My script followed a similar outline when we made our Podcast at the University of Miami. However, this time I had a large monologue instead of our usual back and forth. You can take a look at the script here. This CCR wasn't difficult to produce because I've done the process so many times. I was able to record and edit the entire thing in about a day. The second CCR was a different story.

For CCR numero dos, I made a short film. Now you may ask ''Zach, do you hate yourself" "Zach, do you want to go insane" or "Zach, do you ever get a tingling feeling that nothing will ever be the same and you can only reflect on your past, never living it again" and the answer to all those questions is a definite yes. 

This took me 4 days to do, and no, I did not blog throughout because I have better things (watching March Madness) to do because I am a respectable and classy young man. I've been running around my house and neighborhood filming, and while I will spare you the rousing details of production, I will not, however, spare you from looking at some pics of my shoot. 

 These are the only pics I took 

                        camera on da ceiling 🔥🔥🗣️🗣️‼️

Still from the CCR

I used my hollyland mics for audio, and my Sony A74 to film. You can read the script on my blog, I wouldn't say it's verbatim what I said in the video, but it gets the point across. I made use of my old tiktok fame from transition videos I made when I was 13 to change between scenes. It gave the video a cohesive feel that helps with pacing. I'm really happy with how filming turned out. Editing 🔜

Give me a C! (C!) Give me another C! (C!) Give me an R! (R!) What's that spell? im not finishing the rest

 We've been through this spiel before so let's just cut to the chase. I have to answer this question: 

How did you integrate technologies – software, hardware, and online – in this project?

The project was edited on Adobe Premiere Pro and After Effects, both on my and Renn's computers. My computer was used for the remaining line edit and all the color grading done in Premiere and After Effects, while Renn did the graphics of the credits on his computer with After Effects and the Adobe Suit's font's app.

                                                        Totally not a staged shot of me looking at premiere

We filmed on my super awesome very nice Sony A74, and because my Tamron 35mm lens is broken :(, we used a mount converter I had to attach a cannon 50mm lens on to the camera. I set the Kelvin (White balance or warmth) on my camera to a lower number to get a warmer look that we found was common in Western films. 

                                                                            Renn with da camera

We also used my Hollyland mics to get the nat pops we have of Emi digging.

We researched a ton to find the right style for our projects, using the internet's wealth of knowledge to our full advantage. I also used my fav audio website bulletproofbear.com to find the music for our film, and pixabay.com for other sound effects. 

 

Of course, I couldn't have done any of this (and you wouldn't be reading this) without blogger. I've put everything I've had into my blog, from my thoughts to my plans, it's been my bible for everything I do. So thank you blogger, and thank you reader for... reading. You did that. Good job.

smh you can't even CC in this country anymore, probably because of R

 This is my first Saturday off in a while, so why not blog. 

For my 3rd and 4th questions, I'm going to do a cool little investigative short film. For the third question, I have to answer the following: 

How did your production skills develop throughout this project?

How did they? Hmmmm. I'm already well-versed in a few aspects of production, so let's try to get to there bottom of it. 

*Shuffling through papers* 

Found it- Time management

I've learned how to use my time wisely on this production more than any other I've been on. It's requires planning, teamwork, cooperation, and constant attention placed on every detail of the process. Another thing I've improved on is color grading. I wouldn't consider myself a miracle worker when it comes to color grading like some of my friends are, but I wouldn't call my work bad or anything. The Western genre provided an opportunity for me to really stretch my coloring muscles, as we wanted to get the look just right. 

(about) the color we were going for. 

Color we got

Shooting outside provided a unique challenge for me during coloring. Matching the clips to one another after the sun had hidden behind some clouds in a few shots, or it was a bit brighter in other shots was hell. It took a long time to get the color cohesive across the edit. 

This project also gave me the chance to take a second and think about the why. Why am I doing this? Why is Charlotte wearing a hat, why is she limping, why is she doing anything at all. This production and class as a whole has given me the outlet to think, and it's helped a lot in my skills outside the classroom.

Mise-en-scene was another big thing I learned the importance of. From how our character moves to her costuming, a greater focus on what we showed on screen elevated our production to another level.

But the biggest thing I learned is that any genre can be interesting. I hadn't watched many Westerns before this project, but now it's become a genre I respect and enjoy. It's a relic of old movie-making, and while the techniques may be from the past, it can teach a lot about how we can improve in the future.

              

RCC. Wait... Scratch that, reverse it

I realized I never actually mentioned this in my first CCR post, but for questions 1 and 2, I will be doing a podcast. I actually spent last summer attending a podcasting course at the University of Miami (you can give it a listen here), so the first 2 questions will just be a continuation of my podcast show called "The State of Today" with my friend Gus who I did the podcast with originally!

 The 2nd question I have to answer is: 

How does your product engage with audiences?

Gus- Hey everyone, and welcome back to the State of Today, the Podcast where we bring you all the latest insight into all the latest news, pop culture events, and industries. Im Gus,

Zach- and I'm Zach, and today we get a look at a new movie in theaters I directed coming up called "Death Wears a Dress", and get this Gus, It's a Western. 

Gus- A western? Don't see many of those nowadays. Isn't the Genre basically dead?

Zach- Well, Westerns are seen as a genre better left in the past, its ideals and morals a product of a more simplistic and idealized world where traditional gender roles were stringent and clear cut. But I'd argue this is exactly why Westerns need a renaissance. Our film "Death Wears a Dress" defies these gender roles. The main character, Charlotte, disguises herself as a cowboy to better fit into a society where women are expected to stay home while men are out. Charlotte's actions can be seen as a form of quiet rebellion. She's not open about her defiance, but the fact that she has the bravery to do it alone speaks louder than anything she can say. Westerns appeal to those who seek conformity, but Charlotte's sheer will to defy conformity will attract an audience of itself. Westerns also appeal to those who have a flair for the dramatic, and I'd argue nothing is more dramatic than a woman fighting for what she believes in. While Charlotte goes on this journey of amending her wrongdoings, she sheds light on society's own wrongdoings by simply existing. It's this type of story that we feel viewers will feel drawn to. 

Gus- You know what Zach? I'm convinced. It sounds like you really put a lot of thought into that speech, almost like it was... pre-written...

Zach-Prepostrious. I would never. That was all off the dome baby.

Gus- Off the dome? I guess Westerns don't have to be left behind but that saying does. 

Zach- yeah I guess you're right. At least these pants I got are on fleak

Gus- yeah that one too. Signing off, Im Gus

Zach- *sigh* and I'm Zach

Gus- You can't just keep saying that stuff bro

Zah- Just talk to the hand dude

Gus- Oh my god bro can you shut the fu-

Group meeting ✌️

Today we met with a group for the second time to discuss how production went for our film opening.

da squad

 Here's where everyone stands:

Robbie-https://juliansblog2024-25.blogspot.com/

Robbie felt confident in his production. While he didn't have much to show us, he completed production and was nearly finished with post-production. For his CCR, he knew exactly what he wanted to do. He's going to answer questions in the form of an interrogation like in "Dexter"

How Robbie plans on answering questions

For his second set of questions, he plans on staging a robbery committed by CBTV (the tv club at our school that I'm a part of) where they'll ask him questions. I'm not really sure how that would work, but he seems confident in the idea, and that's all that matters.

Gigi-https://gigixcurr.blogspot.com/

Gigi and I were in the same group last time, so it was great to catch up and see how each other's projects were going. She mentioned how she was a bit hands-off in the editing process, but saw that for her group members, it was a pain to edit. I took a look at her blog, and saw they utilized color and lighting very well in their opening. She felt pretty confident about her film, and I showed her how to improve some techniques for future filming endeavors. 

Elke- https://elksnotes3172.blogspot.com/

Elke and I were also in the same group for the first meeting, and I was intrigued to see how her coming-of-age film was going. She showed us a video of it and the style was very unique. The main character broke the 4th wall and talked directly to the audience, something I felt was creative and hooked me into the story. Editing was rough for her group, and they had to do a bit of sound design to get the perfect feel. They were still debating on how long a couple of shots should last but overall, they felt good in their production.

Vicky-https://vzamos.blogspot.com/

Vicky didn't really talk much during our meeting, but she did mention an interesting idea for her CCR. She would take a nice scenic walk on the beach with the questions written on the sand. The group thought this would be logistically challenging, but she assured us she could do it. I'm excited to see how it turns out.

Julian- https://juliansblog2024-25.blogspot.com/

Julia didn't talk during our meeting and said he was still struggling to find ideas for his CCR. I wish him the best of luck on his production. 

See See Are

 Me on camera? Preposterous! 

(This joke is in reference to my history of on camera presence :) )

The CCR presents a pretty unique way of answering questions, one that I haven’t really explored. I’ll probably make a fairly dramatic video answering the question, with intense music and an overly edited style. Why not challenge myself. In preparation, let’s go over the first question I have to answer. 

"How does your product use or challenge conventions, and how does it represent social groups or issues?"

Our story is all about challenging societal norms. In the film, we follow a Cowgirl who disguises herself as a cowboy to be taken seriously amongst others. In our research, almost every Western we found starred a man. There were female cowboys in the old west, they just never got representation in media. 

A female Cowboy (Cowgirl)

Presenting a woman as the lead in our Western would provide a unique challenge to the genre. 

Using Judith Butler's Gender Performative theory, we showed our main characters' challenges in the Old West. She dresses in male-prominent clothing, wears a hat to cover her hair, and sports bandana to cover her face. This is all in an attempt to disguise herself, and show the audience the lengths she goes to in order to fit in.

It also helps provide a commentary on todays social climate. By presenting a woman in such a powerful, lead role, and having her hide away her femininity to be respected, it mirrors today’s contemporary society, one that sees femininity as a sign of weakness. We hope to challenge these standards, and show them as something outdated and dangerous. 

oh right... i actually have to do work

 hahahahahahhahahahaahaha

Its not funny. I am tired. 

I have so much make-up work from all the time I missed, but here I am, writing a blog for you, England. 

Let's go over editing. 

For the past week or so, I've been tinkering with the perfect sequence for the film opening. With the absence of a few shots, I think I've got it. However, color grading is a different beast.

Before 

After

Basic settings

Because the sun refused to go away, a lot of our shots were more blown out than Lincoln at Ford's theater (are Lincoln jokes cool now? idk). I had to contrast most of the shots to hell, and play with shadows and highlights until I got a pretty cool look. But these shots were the easier ones to color. 

Before

After

For these shots, I again had to contrast it a lot, but I also had to make the shadows blue because the red vest was making the shot look much more red than it should've been. It took me a while to get the look right, and I'm still trying to fix some of the aspects of it. 

The hardest part of the whole color grading process was matching the scenes as the lighting changed.

Still from the first half of the sequence

Still from the back half

The lighting changed a lot between these scenes, and it took a lot of curves and adjustments to make them look similar. While they don't perfectly match, they both have the same red hue that we're looking for. In other words, it gets the job done. 

I hear.... therefore I am Pt2

Music in my opening. 

Music... in my opening

Music in my... opening

(I couldn't think of a title)

The process of picking music for the opening was actually surprisingly easier than I thought. I went to one of my favorite websites for copyright free music called bulletproofbear.com, typed in "Western Music" and I listened to a couple tracks. One that stood out to me was "Gunfire at Sundown". I'm not sure exactly what made it so appealing to me. Maybe it was the harmonious strings in the background that many of my researched Western's incorporated. Maybe it was the slow start and quick ending, matching the vibe of our opening. Or, more likely, it was the cool ending note that really signified something big was bound to happen. 

After I downloaded it, I plugged it into my Premiere Pro timeline and it actually fit fairly well.

Video I took to send to my group immediately after I put it in premiere

The consensus around it was that it fit. And Renn, ever the researcher, confirmed that it did in fact align with many of the Westerns we scouted. 

I had to edit the song a bit because it was a bit shy of our runtime, so I spliced it where there were repeating notes, copied it, and overlayed it on itself to continue it. I stretched it out so we could have the final note I loved so much act as a closer for the video on screen. My words don't do it justice so here's what I'm talking about. 

Impressive, I know.

CALL THE CHIROPRACTER... im back :)

I'm back from Tampa with a trophy. I won first place directing Crazy 8 Vertical Short Film, and I broke down in tears. 

Me with my first-place trophy :)

After that insane high, I remembered I actually had work to do, so here I am writing my blog post on the bus ride home. 

For my last production post, let's talk about some of the stuff we forgot to film :(

Picture of Nico (so handsome)

When we filmed for the first time about 2 weeks ago, I forgot to print this out, so now there is a big gap in my beautiful line edit holding space (that's my line 💚) for a shot where Emi is holding this picture. 

I am not a religious person so perhaps it was my subconscious speaking to me when we forgot to get a shot of Emi twisting the cross around her neck. In the shot, Emi grabs the necklace and contemplates her own morals and ethics (because she just killed a guy). 

Another shot we forgot to get was Emi walking to plant the cross in the ground. As of now, it's a pretty rough cut from the making of the cross to the planting of it, so we need a shot of Emi actually walking to plant it. 

Maybe it's because I'm in the middle of nowhere Florida on a bus next to one of my besties Aneesa who is sound asleep, or because I just experienced one of the best moments of my life in directing the best vertical short film in the country, but I really want to go take a nap, so bye. 😘 

adapting a storyboard

 A storyboard can only take you so far. After all, it’s whole purpose is to be a stepping stone for a larger production, and that never goes to plan. So let’s take a look at some of the changes we made while filming.

First, the wide shots of Emi walking took up far too much time. Those were scenes we filmed but ultimately cut in post. It flows much better with just a couple seconds of walking rather than a whole minute and a half. 

Next, we changed the order of some of the shots. We had Emi take off her hat before she wiped the sweat instead of before. We felt it’d make more sense for her to take off her hat before digging, and it’d show more of a passage of time. 

Finally, we changed the shots where the body is seen. We made the mistake of not buying enough dirt, so we couldn’t cover the body bag at the park.

We had to shoot around that and change up some shots to better fit what we had. This was done using force perspective. We put the camera right up against the dirt and made it seem like there was depth to the pile. It masked our lack of dirt and even looked better than what was on the storyboard.